Mutations in dramatic practices: the commotion principle

Abstract

In the present article we propose possible readings of the changes made in contemporary theater through the looks of playwrights, theaterologists investigators, and critics from different latitudes, in Europe and Latin America, particularly, to find common movements and singularities between diverse perspectives and related or complementary categories. We propose a reflection on textual dramaturgies in a commotion landscape relating to representation and to what it is that spectators look for in theater; and an experiential approach method to certain contemporary textual dramaturgical practices from a materialist and musical perspective.