No. 16 (2021): Junio

Editorial

Presentación

Olga Natalia Trevisán, Hugo Roberto Wingeyer

1
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Artículos

Verg. ecl. 1, 69: a controversial verse and a thought-provoking question

Arturo Álvarez Hernández

2-14
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Religio and Magic in Aeneid: Analysis of Queen Dido’s Transformation

Guillermina Bogdan

15-27
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The Virtues of Inexact Law: Legal Inaccuracy as a Literary Strategy in Menander (Samia 570-588 and Heros 18-40)

Emiliano J. Buis

28-46
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Catullus, c. 16: his pilosis, a new interpretation

Marcos Carmignani

47-65
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The tragedy of Julius Caesar by William Shakespeare: violence and rhetoric in Ancient Rome

María Angelina Cazorla

66-76
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Language and persuasion in Armorum iudicium. Ovid´s Metamorphoses 13.1-398

Marcela Inés Coll, María Celina Perriot

77-89
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Didactical experiencies with Graeco-Latin narratives and their incorporation in the Integral Sex Education

Paloma Cortez

90-98
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Illusory roles and choral identity in Satyr Drama in the Fifth Century b. C.

Guillermo De Santis

99-114
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Greco-Roman Corinth: Core-periphery in the Greek Anthology and other ancient written sources

Elbia Haydeé Difabio

115-129
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Sexual morality in context: pudicitia and αἰδώς in public and private spaces in Euripides’ Hippolytus and Ovid’s Heroides 4

Romina Andrea Flores

120-145
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Cerraba los ojos para vivir. The theme of the pain of exile in autobiographical texts of Héctor Tizón

Alejandra Liñán

146-161
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Confrontations over power: the myth of Antigone in contemporary Argentine dramaturgy

Claudia Elizabeth Lobo, Rolando Jesús Rocha

162-170
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Arma sumpserit (Lucan. 7, 259-260). Maradona, Malvinas and the art of safe criticism

Gabriela Andrea Marron

171-187
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Greek Motifs as Composition Method in Luciano Vecchio’s comic Sereno

Hernán Martignone

188-205
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Conversing with Virgil in the 19th Century. A Testimony of the Reception of Eclogue V in La Moda (Argentina, 1837-1838)

Luis Marcelo Martino

206-216
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On family and money in Plautus’ Asinaria

Gabriela Monti

217-226
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Hymn to Enodia in Euripides’ Ion

Marcela Alejandra Ristorto, Silvia Susana Reyes

227-239
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From the eyes of Rome to the voices of young people: a way to present Classics through a University Extensionist approach

Alexis Emanuel Robledo, Nicolás Russo

240-256
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Lavinia, from the periphery to the centre. Analize of Ursula K. Le Guin’s Lavinia

Patricia Zapata

257-267
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Ensayos

On the translation of Plato’s Protagoras by María Luisa Acuña

Marcela Coria

268-275
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Even because I’m speaking Greek / with your imagination: Poetry and song in Choro Bandido

Douglas Silva

276-281
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Reseñas

Aurora Luque, Grecorromanas. Lírica superviviente de la antigüedad clásica, Barcelona, Planeta, 2020

Abigail Méndez

282-285
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Marcela Coria, Luis Esteban Hernández, Santiago Hernández Aparicio, Pedro Kóbila, προμηθευσ Prometeo - Luciano de Samosata, Rosario, Hya Ediciones, 2020

Fernando Yamil Cristaldo Hidalgo

286-287
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Editorial

Presentación

Artículos

Verg. ecl. 1, 69: a controversial verse and a thought-provoking question

Religio and Magic in Aeneid: Analysis of Queen Dido’s Transformation

The Virtues of Inexact Law: Legal Inaccuracy as a Literary Strategy in Menander (Samia 570-588 and Heros 18-40)

Catullus, c. 16: his pilosis, a new interpretation

The tragedy of Julius Caesar by William Shakespeare: violence and rhetoric in Ancient Rome

Language and persuasion in Armorum iudicium. Ovid´s Metamorphoses 13.1-398

Didactical experiencies with Graeco-Latin narratives and their incorporation in the Integral Sex Education

Illusory roles and choral identity in Satyr Drama in the Fifth Century b. C.

Greco-Roman Corinth: Core-periphery in the Greek Anthology and other ancient written sources

Sexual morality in context: pudicitia and αἰδώς in public and private spaces in Euripides’ Hippolytus and Ovid’s Heroides 4

Cerraba los ojos para vivir. The theme of the pain of exile in autobiographical texts of Héctor Tizón

Confrontations over power: the myth of Antigone in contemporary Argentine dramaturgy

Arma sumpserit (Lucan. 7, 259-260). Maradona, Malvinas and the art of safe criticism

Greek Motifs as Composition Method in Luciano Vecchio’s comic Sereno

Conversing with Virgil in the 19th Century. A Testimony of the Reception of Eclogue V in La Moda (Argentina, 1837-1838)

On family and money in Plautus’ Asinaria

Hymn to Enodia in Euripides’ Ion

From the eyes of Rome to the voices of young people: a way to present Classics through a University Extensionist approach

Lavinia, from the periphery to the centre. Analize of Ursula K. Le Guin’s Lavinia

Ensayos

On the translation of Plato’s Protagoras by María Luisa Acuña

Even because I’m speaking Greek / with your imagination: Poetry and song in Choro Bandido

Reseñas

Aurora Luque, Grecorromanas. Lírica superviviente de la antigüedad clásica, Barcelona, Planeta, 2020

Marcela Coria, Luis Esteban Hernández, Santiago Hernández Aparicio, Pedro Kóbila, προμηθευσ Prometeo - Luciano de Samosata, Rosario, Hya Ediciones, 2020

Language

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